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Newport 1958

Newport 1958  - Album cover

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Newport 1958  - Quartet At The Newport Jazz Festival 1958Quartet At The Newport Jazz Festival 1958
Newport 1958  - Gambit CD Gambit CD
Newport 1958  - I Love Jazz LP cover I Love Jazz LP cover
Newport 1958  - Fontana LP coverFontana LP cover
Newport 1958  - LP cover European releaseLP cover European release

Label: Columbia
Year: 1958
Released on LP: Yes
Released on CD: Yes

Tracks

1. Things Ain't What They Used to Be
2. Jump for Joy
3. Perdido
4. Liberian Suite Dance No. 3
5. The Duke
6. Flamingo
7. C Jam Blues

Personnel

Dave Brubeck (piano)
Paul Desmond (alto sax)
Eugene Wright (bass)
Joe Morello (drums)

Notes

1. Released as CD in Japan under the "Sony Master Sound" series in both standard CD and mini LP format - Sony Records SRCS 9361 .

2. Released in Europe in 2009 by Gambit Records and includes a bonus track from Berlin Germany Feb 22 1958.

Reviews

All Music Guide Review copyright

This 1958 set by the Dave Brubeck Quartet comes from the Newport Jazz Festival on a day which served as a tribute to Duke Ellington, with each band playing a set primarily drawn from Ellington's vast repertoire. Alto saxophonist Paul Desmond and drummer Joe Morello are in top form, as is bassist Joe Benjamin (who first worked with Ellington in 1951 and was his regular bassist from 1970 to 1974) who substitutes for Eugene Wright. The inspired choice of "Jump for Joy" makes for some of the most magical moments, while "Perdido" provides an extended workout for Desmond and Brubeck.

"Liberian Suite Dance No. 3" is oddly described in the liner notes as coming from Black, Brown and Beige though it is actually one movement of Ellington's Liberian Suite, which was premiered in late 1947 and quickly dropped from his repertoire. Brubeck's "The Duke," an elegant tribute to Ellington that showcases Desmond's lyrical alto and the exciting finale of "C Jam Blues" (the latter spotlighting Morello are also highlights.

"Take the 'A' Train", omitted from the album credits, is heard as a one chorus tag at the conclusion. It is a bit odd that several tracks were re-recorded several weeks later without explanation in the notes, evidently due to the audio problems which plagued Ellington's own set from that evening at Newport, though the applause is dubbed in at the conclusion of these selections.


Ken Dryden

Copyright Rovi Corporation

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